My original goal with the Sammy and the San Juan Express series was to complete three novels before doing any marketing. I’ve traveled each summer to do pop-up book signings and knock on book store doors, but no online ads or promotions. Starting this Spring, I’ll be initiating promotional campaigns, and the first step is redesigning the book covers. Book one, now titled, Sea Whisperer, is finished and I’m happy to share.
I’m sendin out an average of five agent queries a day. As I do the research and prepare each letter, I’m also watching the emotional roller coaster ride I’m taking. Emotions are important to me, partially because of my training as a counselor, and mostly because my protagonist in, Sammy and The San Juan Express, is a highly emotional being.
This morning, I noticed that for some agents I’m positive and feel good about sending my query. I can hardly wait to hit the send button. I know they will respond soon with a request for my manuscript. Then, I bump into someone who represents the best writers I’ve ever known, or their credentials include a doctorate in English Lit, and my self confidence falls through the floor. I can barely type their email address let alone include the first fifty pages, which I’m sure should be thrown in the dumpster or deleted immediately.
Reality check— take a deep breath, stand, stretch, downward dog or a short walk. I have to remind myself that agents, as my daughter said, “put their pants on one leg at a time.” The truth is, agents need good writers. They’re looking for the next Harry Potter or The Book Thief, and every query holds the promise of being just that—even mine (or yours). So back at it you bad-boy or girl. Click those keys, search those agents, and with the confidence of J. K. Rolling, get those queries out—now.
In a writer’s critique group I presented my Agent Query process. I hadn’t realized how comprehensive and time consuming the process had been over the past three months. I thought it might be helpful to others.
I begin by completing my manuscript. It has had a multitude of readings over the past years by many fellow writers and friends. It is ready to send out.
I then prepared a query letter using research online at:
Many agents request a query letter only, but some also asked for a synopsis—your kidding, right? Nope, absolutely true, and when you think about it, with all the queries they receive, reading a synopsis before requesting a partial or full manuscript makes sense. I researched and created a two page(ish) synopsis of my 66,000 word novel. I used the same resources listed for researching the query letter.
Finally, having finished my novel, and creating a query letter and synopsis, I am ready to send them out … almost. Yet another step is acquiring or building a database of agents. (I’m estimating the next few steps take about one hour per agent, after creating the query and synopsis). I identify agencies that handle novels for my market, Young Adult and Middle Grade, and enter them in a spreadsheet. The resources I use for my agent research are:
- ARA—Association of Authors’ Representatives, Inc.
- Guide to Literary Agents—Book and Online at Writer’s Market (Subscription required)
- Directory of Literary Agents
- Literary Marketplace-Directory of Book Agents
- I subscribe to Publishers Lunch by Publishers Marketplace
- In addition to these online resources, I am a member of SCBWI (Society of Children’s Book Writers & Illustrators). Their membership manual—The Book—has a comprehensive list of literary agents.
Once I compile my database (I build it fifty names at a sitting), I research each agency to identify the specific agent I will query, their current authors (hoping to find something similar to my work), and personalize my query. I also, very carefully, read their submission requirements, (some want query only, some want query and synopsis, some want query, synopsis, and partial manuscript). I give them exactly what they ask for.
Finally, after this time consuming, but fruitful, exercise, I email (or mail) my query to the agent (I’ve sent out twenty so far).
Enough already, I’m exhausted. Time for a coffee break, then back to agent queries for Sammy and The San Juan Express.
Eighteen queries emailed and my first milestone—I received my first rejection email. My first for Sammy and The San Juan Express, that is. I’m not sure if I should be pleased or upset. On the one hand, one agent … wait, another email. Make that two agents, did not feel my novel fit their needs. On the other hand, this puts me in some good company. If the web is correct: Agatha Christie received five years of rejections, J.K. Rowling (Harry Potter)= twelve rejections, Louis L’Amour= 200, Dr. Seuss= numerous rejections with a note: “Too different from other juveniles,” Chicken Soup for the Soul=140, Stephenie Meyer’s (Twilight)= fourteen rejections, and one of my favorite authors, Jack London = 600. Needless to say, even the very best receive rejections, and even some of the very worst are published.
And, as Literaryrejections.com says, “Rejection is an imperative test of one’s character.”
Isn’t life grand.
Where did the idea for Sammy and The San Juan Express come from? Years ago I vacationed with my two children in the San Juan Islands. We’d spend two or more weeks on a 28′ Chris Craft with a small sailing dinghy in tow. It was magical watching how they adapted to their new environment. Two urban kids suddenly transformed into sailors, fisherman, divers, and explorers. During the day they would swim in warm coves, or spend lazy afternoons in the dinghy. In the evenings, with no television or radio, we’d play card games, and I would make up stories about pirates, goblins, and lost children living on the islands. And so, some thirty years ago, the seeds of The San Juan Express were planted. Many years later, they began to sprout.